The impressive statuary of the Baule embodies varied incorporeal energies that are granted form and appeasement through the physical form of a wooden figure. One of the most prominent are the bush spirits (asye usu), who seek to intercede in human affairs and do so through the aid of a diviner. Others are the spirit wives (blolo bla) and spirit husbands (blolo bian), who were wed to each human being before their birth. Spirit spouses desire reunion with their human mates and exert influence over their lives. Experiences of distress in an individual’s life are often ascribed to the ill temper of one’s spirit spouse, and the dedication of a private figure and altar in one’s home to pay tribute to them is often recommended to achieve a resolution.

There are close similarities between the two figural types, and there can be some uncertainty in distinguishing them. One characteristic that can be telling is the encrustation of organic substances on the surfaces of asye usu. Being associated with the wild, non-human sphere, they were treated less fastidiously than spirit spouses, who needed to be kept clean as a show of dedication and respect.

Whether the present figure represents a bush spirit or a spirit wife, its sculptural qualities are magnificent. In keeping with Baule tradition, it shows an oversized head and columnar body supported by heavy, stout legs and buttocks. The face is flat and mask-like, showing an assertive and rigid expression. The coiffure behind it is carefully carved and brought together in a braid, all covered with fine, linear incisions. The neck and body are adorned with a host of geometric keloid designs, placed asymmetrically around the entire circumference of the torso. High breasts, also decorated with scarification panels, curve down from the shoulders to rest on the chest. Relief-carved arms are held closely against the sides of the figure with hands flanking the abdomen. Stocky, thick legs anchor the figure powerfully to the base upon which it stands. The attributes of vigorous and exalted womanhood shown in this figure, along with the cleanliness of its smooth, dark and lustrous surfaces, would suggest its identification as a blolo bla.

‍